“The Grey” is probably a movie about Liam Neeson experiencing and expressing with varying degrees of subtly, a range of emotions that includes, but is not necessarily limited to, sadness, anger, fear, despair, and emptiness.
(Source: youtube.com)
“The Grey” is probably a movie about Liam Neeson experiencing and expressing with varying degrees of subtly, a range of emotions that includes, but is not necessarily limited to, sadness, anger, fear, despair, and emptiness.
(Source: youtube.com)
Ethan Hunt (Tom Cruise) is an IMF agent—the Impossible Mission Force, not the International Monetary Fund. The International Monetary Fund is “an intergovernmental organization that promotes international economic cooperation, focusing in particular on policies that have an impact on the exchange rate and the balance of payments.” The Impossible Mission Force (the Impossible Missions Force in pre-Tom Cruise incarnations) is a fictional spy agency. I hope that cleared up any confusion.
(Source: youtube.com)
Important things we learned from celebrities on Twitter today.
Gay Eagle, The Movie I haven’t quite fleshed out where this movie is going to go, but I know I want it to have a gay bald eagle in it. He should come from a very conservative family that refuses to accept him for who he is. Even his friends refuse to accept him at first, until they realize that they should judge him on his ability to catch rodents and build nests and NOT on what gender of bald eagle he wants to have sex with. It will be an uplifting, triumphant tale of an entire generation coming of age. This movie will obviously be controversial but not for the reasons you might expect. Other than the first ten minutes or so, there won’t really be anymore references to the eagle’s sexuality because we’ve progressed as society to a place where eagles are just eagles–no need for labels. What will be so controversial about this movie is the language. The language in it is going to be absolutely brutal. These bald eagles are going to say some of the nastiest things you’ve ever heard–and not in reference to gay eagle’s sexuality or anything like that. Everything they say is going to be peppered with really graphic, creative expletives. By the end of the movie, it won’t even be a story about a gay bald eagle at all; it will just be long exchanges of eagles swearing at each other, basically for no reason. A note about the production of the film: This is going to be live action–not animated. Animation is difficult, so I think the better plan is to round up a bunch of bald eagles, put them in an extremely large cage and just start rolling. You’d have to figure that if you keep them in there long enough they’ll group up and do something resembling talking. I’m thinking if we get like a hundred bald eagles, somewhere between five or ten of them will be gay. Then we just chose the one that seems the gayest and make him the lead. In calling around to zoos, I’ve been warned that if I were somehow able to round up a hundred bald eagles–which, incidentally, they’ve told me is something they are not willing to help me do as it’s “incredibly illegal”–and put them all into the cage for what I’m estimating will be close to six months of principal photography, they will almost certainly start trying to kill each other because bald eagles are extremely territorial. This is why I have a contingency plan: I’ll have a few screenwriters on retainer to quickly draft up a script for a battle sequence should the eagles start attacking each other. Maybe this would even make it a better movie. Of course, the worst thing that could happen would be for the gay eagle, my lead actor, to die in the fighting. It’s supposed to be a triumphant movie, not a tragedy, and certainly not a movie where a gay eagle gets murdered by a bunch of other eagles. I’d hate to have to have some voice-over narration at the end of the movie saying that the gay eagle had been killed not because he was gay but because he had been locked in a large cage with ninety-nine other wild bald eagles.
I generally do a regular feature for the site known as “Rising Stars,” profiling a young, up and coming actor or actress who I believe will be or at least deserves to be famous in the relatively near future. However, the introduction to my recent Brad Pitt piece has caused some uproar from those people who, like myself, were incredibly offended by the idea that Taylor Lautner was anywhere in the vicinity of Brad Pitt in the acting department. As a form of catharsis, we mocked Lautner again in a celebrity gossip piece, but dammit all if that just didn’t seem good enough. No, we need an entire post dedicated to why Taylor Lautner sucks as an actor, and if you ask me he isn’t a very good werewolf either. So as much as it pains me to refer to him as a star, here it is, our first (and hopefully last) installment of falling stars: The incomparable Mr. Taylor Lautner. When evaluating an actor or actress, one need only look at their acting resume. Sure, even the greatest of performers have a few blemishes, and after all this is a job and sometimes a brother just has to get paid.That said, Lautner has done 6 films to date, an admittedly small body of work, but all six were absolute garbage, and in most cases he was the worst part of these awful films. Let’s look at them one by one, and believe it or not, I am starting with the best. 50% on RottenTomatoes - That’s right, this is the best (according to rottentomatoes) movie that Lautner has been in. Inexplicably, I have seen this movie more than once (but never sober) and I can tell you that it is total refuse. I don’t like to distinguish between the Twilight movies, because they are all so very bad and so very similar. However, this is considered the best probably because there is a little more action than previous installments. But again I want to emphasize that this is a terrible movie, despite being at the top of the list. 49% on RottenTomatoes - Saying that this is my favorite of the Twilight movies is kind of like saying I have a favorite kind of cancer, and to be fair it is the only one of the movies I have seen sober (I was on an airplane, and I began to drink heavily immediately thereafter in a failed attempt to erase the movie from my brain). But I suppose I prefer this one to the others because it is a bit more subtle, and mostly because there is a lot less Taylor. Plus he has long hair and looks like some sort of pig-faced uruk-hai, which is fun to laugh at. 27% on RottenTomatoes - You might be noticing that Lautner’s three best movies are from the Twilightseries. That is a bad sign. A bad, bad sign. Truth be told I don’t even remember what this movie is about. And who really cares. But I am pretty sure it is where the whole “Team Jacob vs. Team Edward” nonsense started up, so screw this movie. 20% on RottenTomatoes - If someone approaches you and says, ‘Would you like to play Sharkboy?” the proper protocol is to politely shake your head and walk away. It doesn’t matter if it is Robert Rodriguez or a psychotic person aimlessly wandering the street (in my opinion there is very little difference between the two). You never want to play Sharkboy, regardless of the movie, play, or strange pseudosexual roleplaying game that might be going on. You especially don’t want to play Sharkboy in 3D.Lautner’s only defense is that this was before he was famous, and in that case you take any role you can get. But still not Sharkboy. Never Sharkboy. 17% on RottenTomatoes - I have seen this movie (twice) and I have seen Cheaper by the Dozen 2 (more than twice) and I can tell you that this is worse, despite the rottentomatoes scores by which this list is ordered. This is the worst movie of 2010, one of the worst of all time, and the hardest blow an innocent holiday has taken in as long as I can remember. Lautner is only the second worst Taylor in the film (the worst being Swift), but unfortunately he is also the second worst actor. The second worst actor in one of the most painful films I have ever had the misfortune of seeing. 7% on RottenTomatoes - He was young and not in it that much, so this might be the performance for which he is least culpable. So congrats, Taylor, this one really sucked too but it mostly wasn’t your fault! So there you have it, an acting resume with which you would be lucky to land a role in a commercial for a local used car dealership. But instead, Taylor gets cast as the star of the upcoming film Abduction, which looks to be a lobotomized version of The Bourne Identity for twelve year olds of less than average intelligence. And in 2013, God help us, he will be playing Stretch Armstrong in the Stretch Armstrong movie. A movie based on a toy that was fairly popular 15 years ago. Let’s just pray thatAbduction loses money, so that once the Twilight series reaches its merciful conclusion we never again have to witness the ignominy to acting, the skid mark on the underpants of Hollywood that is Mr. Taylor Lautner, this week’s falling star. Author’s Note: I would like to mention that I do still admire Mr. Lautner’s abdominal muscles.The Twilight Saga: Eclipse
Twilight
The Twilight Saga: New Moon
The Adventures of Sharkboy and Lava Girl in 3-DValentine’s Day
Cheaper by the Dozen 2
RottenTomatoes.com has a dedicated page for every movie under the sun. Each page includes details such as stars of the film, budget, box office gross, and reviews. The reviews are the main draw for the website, the cash cow if you will. The purpose of this explanation is that Taylor Lautner’s newest movie, Abduction, seems to be at the center of quite a phenomenon: a polar difference of opinion between critics and audience.
As the picture above indicates, something is undeniably amiss. Critics across the nation think that this movie is one of the worst they have seen. A 4% rating puts Abduction shoulder to shoulder with other 2011 movies like The Roommate (4%) and Big Momma: Like Father, Like Son (5%). Meanwhile, the audience is loving Taylor’s newest effort. A 77% from the audience is quite an endorsement. Quality movies like Hanna, The Debt, and Cedar Rapids have all received lower audience ratings this year. The obvious conclusion is that critics don’t properly value abdominal muscles when they give their ratings.
Taylor Lautner has roughly 12 distinct abdominal muscles. Each seems to be worth about 6.1 Audience Happy Points in the eyes of sexually charged tweens with internet access. The following is a patented formula from Cinematic Method, do not redistribute it without our express written consent:
77 – 4 = 73 (Critics overlooked Taylor Lautner’s abs to a level of 73, we will call this the “Why-Is-The-Audience-So-Stupid-Coefficient“)
(Why-Is-The-Audience-So-Stupid-Coefficient) / (The Number of Abs Taylor Lautner Possesses) = (Number of Audience Happy Points)
73 / 12 = 6.1 (If I hear someone tell me this is not an exact figure, I’m going to lose my mind and begin spitting at them until they agree with me. That’s how I win all my battles of wit).
As you can see, our Why-Is-The-Audience-So-Stupid-Coefficient for Abduction is one of the highest any of us could ever dream. 100 is technically the highest possible score since all critics could give the movie a negative review and all of the audience could give the movie a positive review, but realistically, this 73 is close to the top. Why are the critics so out of touch with what makes the audience happy? Do they not understand that every time they catch a glimpse of a single Taylor Lautner ab they should be roughly 6.1 percent happier? Maybe they were focused too much on his giraffe neck?
I think the lesson here is that we are all trying, in vain, to objectively look at movies and judge whether or not they are worth the precious time and money of the public. We are all trying, and the preteen girls are ruining everything for us. I don’t know what could possibly stop the juggernaut that is tween fanhood, but if they’re banding together for 15,000 ratings on this film, I’m afraid rottentomatoes.com will explode from Happy Points soon after the release of Breaking Dawn.
If you can find a film with a higher “Why-Is-The-Audience-So-Stupid-Coefficient” let us know, we’re intrigued to see what you can come up with. So far, Boondock Saints is the only higher score we can find at 76 (93 – 17 = 76). We’re not as sure abdominal muscles have anything to do with that discrepancy.
I watched the first Human Centipede movie and it was terrible. But after you watch it, you can go around telling people that you saw it and can be the life of the party! This movie doesn’t really look like it’s gonna make any tremendous strides towards the Academy Awards, but it will probably be just as much of a talking piece. In theaters 10/7.
(Source: cinematicmethod.com)
This movie looks like it is really trying to revamp the whole Three Musketeers operation. Explosions. Flying boats. Milla Jovovich. 3D! It looks like it is going to big, loud, and all over the place. Let’s hope Orlando Bloom and Christoph Waltz can carry it enough to make it fun. In theaters 10/21.
(Source: cinematicmethod.com)
There aren’t any big name actors that fully draw me to this movie but it interests me that they are releasing a prequel to a movie from close to 30 years ago. It looks fairly scary and full of action. John Carpenter didn’t have a hand in this movie though so I imagine it’ll march to its own tune. In theaters 10/14.
(Source: cinematicmethod.com)
Gerard Butler has done me wrong in the past, but this seems to be a little different role than we’re used to from him. There’s a couple action moments but it’s really just about a guy trying to do good. Marc Forster, the director, has made some really solid movies in the past as well. In theater 9/23.
(Source: cinematicmethod.com)